Nate Chinen

I can think of no better summation of our shared experience over the last year than "A World Lost," the title of the piece that opens Maria Schneider's Data Lords. A slow, foreboding dirge in an oblong time signature, it instantly sets a tone of somber contemplation.

A hard-bop stalwart. An avant-garde original. A ceiling-shattering bandleader. A bebop-obsessive broadcaster. These are some brief descriptors for the incoming class of NEA Jazz Masters, announced this morning by the National Endowment for the Arts.

Toshinori Kondo, an improvising trumpeter whose daring instinct and deep expressive resources slashed through a spectrum of experimental and ambient music, died on Saturday in Kawasaki, Japan. He was 71.

His sons, Sora Kondo and Yota Kondo, announced his death on his website, noting that he died peacefully. No cause was given.

Steve Grossman, a saxophonist whose lunging projection, sure rhythmic footing and clarity of attack helped propel him into the spotlight in the 1970s, notably in bands led by Miles Davis and Elvin Jones, died on Aug. 13 at Glen Cove Hospital in Glen Cove, N.Y. He was 69. The cause was cardiac arrest after a long illness, his brother Myles Grossman confirmed to NPR.

Pianist Micah Thomas is having the jazz equivalent of a standout rookie season. Just within the last several weeks, he finished his graduate studies at Juilliard and released a terrifically assured debut album called Tide.

It introduces an artist of superb technical facility, along with something even more striking — a deep understanding of the sprawling lineage of modern jazz piano and a youthful determination not to get caught retracing anybody's steps.

Helen Jones Woods, who played trombone with the International Sweethearts of Rhythm, a history-making all-female big band that toured widely during World War II, died of COVID-19 on July 25 in Sarasota, Fla. She was 96.

Her daughter Cathy Hughes, founder and chairperson of the broadcast media company Urban One, confirmed the details of her death to NPR.

Helen Jones Woods, who played trombone with the International Sweethearts of Rhythm, a history-making all-female big band that toured widely during World War II, died of COVID-19 on July 25 in Sarasota, Fla. She was 96.

Her daughter Cathy Hughes, founder and chairperson of the broadcast media company Urban One, confirmed the details of her death to NPR.

Six years ago, Maria Schneider, the meticulous jazz composer and orchestrator, embarked on a project with David Bowie, the polymorphic pop vanguardist.

Freddy Cole, whose debonair yet unassuming vocal style lighted his way through a distinguished jazz career in and out of the shadow of his older brother, Nat King Cole, died on Saturday, June 27, at his home in Atlanta, Ga. He was 88.

His manager, Suzi Reynolds, did not specify a cause of death but said he had been suffering of late from cardiovascular issues.

In the liner notes to John Coltrane's 1964 album Live At Birdland, Amiri Baraka (then writing as Le Roi Jones) contemplated the gift the saxophonist and his band offered with this music inspired by the horrific deaths of four Black girls in a Birmingham church bombing inspired by white supremacist hatred. "Listen," Baraka wrote. "What we're given is a slow delicate introspective sadness, almost hopelessness, except for Elvin [Jones], rising in the background like something out of nature... a fattening thunder, storm clouds or jungle war clouds.

Every working musician has a story to tell about the upending jolt of this spring, when the pandemic officially took hold. For pianist Brad Mehldau, that story begins with the interruption of his trio's European tour, and the cancelation of a planned trip back to New York.

Jimmy Heath made one of his first appearances on record as a member of Dizzy Gillespie's band, late in 1949. Released on Capitol under the title Dizzy Gillespie And His Orchestra, it featured Heath on alto saxophone alongside his fellow Philadelphian, an up-and-comer named John Coltrane.

Ambrose Akinmusire was in the eighth grade, a budding trumpeter in Oakland, Calif., when he made his first excursion to a jazz club. Through a radio contest, he'd won tickets to the local mainstay, Yoshi's, unaware of the creative portal he was opening.

In an alternate timeline, I know precisely how I would have spent the evening of April 17. The dynamic South African pianist Nduduzo Makhathini had been booked for an album-release engagement at Dizzy's Club, the in-house nightclub at Jazz at Lincoln Center. I was looking forward to hearing his band in that room — not only because Makhathini's stateside appearances are few and far between, but also because the urgent, questing spirit of his music is something best experienced in person and in close quarters, as a form of communion.

Richard Teitelbaum, an electronic artist, keyboardist and composer who combined an interest in non-western musical languages with a focus on experimental practice, died on Thursday at HealthAlliance Hospital in Kingston, N.Y. His wife, the classical pianist Hiroko Sakurazawa, said the cause was a major stroke. He was 80.

Bucky Pizzarelli, a tasteful sage of jazz guitar who spent the first phase of his career as a prolific session player and the last phase as a celebrated patriarch, died on Wednesday in Saddle River, N.J. He was 94.

Guitarist and singer John Pizzarelli, his oldest son and regular musical partner, said the cause was the coronavirus.

A few weeks ago, as the city of New Orleans was preparing to institute a stay-at-home order due to the coronavirus, Nicholas Payton got to work.

Wallace Roney, a trumpeter and composer who embodied the pugnacious, harmonically restive side of post-bop throughout an illustrious four-decade career, died this morning at St. Joseph's University Medical Center in Paterson, N.J. He was 59.

The cause was complications from COVID-19, according to his fiancée, Dawn Felice Jones. She said Roney had been admitted to the hospital last Wednesday.