Lyndsey McKenna

Like many who have graced the Tiny Desk before him, the awkwardness of performing in a working office wasn't lost on Harry Styles. "It just feels like you're in the way," he joked. But when you watch his set from behind Bob Boilen's desk, you'd never suspect any discomfort.

Taylor Swift, Man

Feb 27, 2020

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The Taylor Swift vs.

From the moment Carly Rae Jepsen arrived at NPR HQ for her Tiny Desk concert, she brought an obvious sense of joy. Take, for example, her sound check: Working with her band of longtime collaborators, she seemed downright delighted, beaming at the musicians as she gave notes after each meticulous run-through.

Updated at 9:45 a.m. ET

It's been a long time coming, and the rollout didn't go quite as planned, but Taylor Swift's seventh album, Lover, is here. Stream the album below via Apple Music or Spotify.

Soon after the album appeared on streaming services, Swift posted to her almost 121 million Instagram followers: "This album is very much a celebration of love, in all its complexity, coziness and chaos."

Copyright 2019 NPR. To see more, visit https://www.npr.org.

MICHEL MARTIN, HOST:

And finally today, have you picked your song of the summer?

(SOUNDBITE OF SONG, "DESPACITO")

LUIS FONSI: (Singing in Spanish)

(SOUNDBITE OF SONG, "CALIFORNIA GURLS")

KATY PERRY: (Singing) California girls, we're unforgettable...

The artists who attract me the most are those who are on the rise — artists whose popularity is mostly a small, dedicated circle of fans but growing. That's certainly true of the Shreveport band Seratones. They're putting out their second album later this summer and, from the sound of this potent new title track "Power," it's clear they'll find a bigger fanbase.

The days are getting longer, the temperatures are rising and you're willing to see yet another superhero movie just for the air conditioning. Maybe to you, this time of year signifies the start of music festival season. Maybe you're looking forward to your annual extended stay down the shore. Maybe you're preparing for a plethora of summer weddings — not always a bridesmaid, but always the life of the bachelorette party. Maybe you're looking forward to living your best life at your city's Pride parade. Or maybe you've finally concocted the perfect punch recipe for backyard barbecues.

Taylor Swift - "ME!" (feat. Brendon Urie of Panic! At The Disco)
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Updated April 26 at 4:25 p.m. ET

Joining me on this edition of All Songs Considered is NPR Music's Lyndsey McKenna, Marissa Lorusso and Joshua Bote for some sips of Rosé, bites of cupcakes and sweet music. Today's sounds include the legendary dub master and reggae king Lee "Scratch" Perry. At 83-years of age, he's just made a brilliant new record with another legendary producer, Adrian Sherwood.

Thank the heavens for the return of Carly Rae Jepsen, explorer of all worlds romantic; soothsayer of feelers and people striving to be feelers. Her singular brand of heart-eyed, teen-dream-pop, defined by her 2015 album E•MO•TION, is something to behold.

On this week's All Songs Considered we premiere new music from Aldous Harding. The artist from New Zealand made my number two album from 2017 (Party) and her latest song, "The Barrel," indicates that she'll be another year-end favorite of mine in 2019.

Over his songwriting career, Craig Finn's developed a reliably literary style. The thematic throughlines of his catalog demand a close reading and lend themselves to annotations; you could make a map out of mentions from his discography (in fact, it's been done).

Austin singer-songwriter Alejandro Rose-Garcia, aka Shakey Graves, began his Newport Folk Festival set by raising a little hell. Before beginning the incendiary "Word of Mouth," he explained: "I'm gonna kick this off with a waltz that I wrote years ago that has sadly become more and more relevant every year I play it. It's a song about not listening to people and listening to people at the same time."

There's electricity in the atmosphere at Newport Folk Festival as evening begins, the summer sun sinking lower in the sky between cotton candy-colored clouds. As the penultimate performer on the main stage, Courtney Barnett's return to Newport — she also played the festival in 2015 — felt like a cause for celebration as daylight faded.

You've donned the gay apparel and trolled the ancient Christmas Carol from Accounting, but the snow has turned to gray slush and whenever a mulled beverage is served, your uncle can't help but channel his inner Rob Thomas: "Man, it's a hot wine!" (The pun is solid, but the impression sounds more like Bill Murray's caterwauling howl in Scrooged.) You want to get in the spirit, but you're hardly dashing through the snow. What to do?

There's a certain kind of comfort found in the familiar, but the path there isn't always straightforward.

Years before Taylor Swift's ascent, the Dixie Chicks were the turn of the century's country crossover success story.

It's not enough to make list after list. The Turning the Tables project seeks to suggest alternatives to the traditional popular music canon, and to do more than that, too: to stimulate conversation about how hierarchies emerge and endure. This year, Turning the Tables considers how women and non-binary artists are shaping music in our moment, from the pop mainstream to the sinecures of jazz and contemporary classical music. Our list of the 200 Greatest Songs By Women+ offers a soundtrack to a new century. This series of essays takes on another task.

Illuminati Hotties, aka L.A.'s Sarah Tudzin, seems plagued by the past on "Cuff." But over a chorus of explosive guitars, backed by simple, steady drum programming, she settles on a solution: "I cuff my T-shirt sleeve / and grit my teeth / How else can I tell myself I can do most anything?"

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Crisscross the country and you'll find plenty of memorials to American presidents, from stately monuments to parks and preserved spaces to highways and historic homes.

Take out the trash and cut the crap: That's Margo Price's advice on "Leftovers," a new track from the East Nashville singer-songwriter. "Leftovers" is the first release from Amazon Music's new Produced By series aimed at shining a light on prominent producers.

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Kurt Vile knows the pain of parking in a city, and he's willing to use whatever shortcut he can to avoid a ticket.

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F***** Up works in world-building.

The roséwave lifestyle may be loose and laid back, it's not lethargic. After all, it takes stamina to keep up your social calendar in the summer months. You need endurance to power through fall marathon training and never-ending rooftop happy hours.

Newport Folk Festival's setting on Rhode Island's historic Fort Adams offers a panoramic view of the picturesque Narragansett Bay and the Claiborne Pell Bridge. Though a steamy summer fog hung over the Fort Stage hindering visibility as Tiny Desk Contest winner Fantastic Negrito, a.k.a.

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