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The New York Times columnist knows what it's like to encounter a barrage of hate from Internet trolls. She says she heard many of their messages repeated by Donald Trump during the 2016 campaign.

Director Julie Taymor took an unconventional tack in adapting the animated film for the big stage. Even 20 years on, she finds the musical's social themes evolve and resonate with audiences worldwide.

Some see restorative justice as a way forward. But it takes courage to hold yourself accountable, and the men called out by the #MeToo movement might not be there yet.

Alexie is excited for a new generation of Native American writers to come on the scene, "so I don't have to answer all the questions," he says. His new memoir is You Don't Have to Say You Love Me.

Brooks' stable childhood with parents Mel Brooks and Anne Bancroft stands in contrast to the wild stories he tells in novels like World War Z and Minecraft: The Island.

One by one, Daryl Davis has befriended KKK members over the past 30 years. The more they got to know the African-American musician, the more they realized the Klan was not for them.

"I don't think we do Ali any good by treating him as a saint," says biographer Jonathan Eig. "He was a human being, and he was deeply flawed, but ... he had the spirit of a rebel."

Gina Prince-Bythewood and Reggie Rock Bythewood are the husband-wife screenwriting duo behind the Fox TV series that imagines the fallout of a flipped script: a black cop shoots an unarmed white man.

The singer describes skiffle as "a bunch of British school boys in the mid '50s playing Lead Belly's repertoire ... on acoustic guitars." Bragg's new book is Roots, Radicals And Rockers.

After years of budget and political pressure, some climate scientists are changing the way they describe their research, and avoiding the term "climate change."