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Superchunk's new album, Majesty Shredding, fits the textbook definition of indie-rock: the pomp and spectacle of marketplace rock 'n' roll turned inside out to show the seams, revealing the men and women behind the curtain who aren't much different from the rest of us.

The songwriter's music is often described as "swamp rock," an appropriate designation given that he writes most of his material in the backwoods outside Jacksonville, Fla. His latest album, Georgia Warhorse, unofficially pays tribute to his grandmother.

The famed singer, songwriter and pianist covers some holiday classics as well as two originals that she hopes will extend the shelf-life of the holiday spirit.

President Bush outlined a mixed interim progress report on Iraq, emphasizing his belief that peace can be secured there. Sen. Jack Reed (D-RI) says the White House is "being overly optimistic" in reviewing the situation in Iraq and the country's fledgling government.

The United Nations Security Council meets in a closed session to discuss implications of North Korea's testing of ballistic missiles in the past 24 hours. The United States has denounced North Korea's moves as provocation.

The vice president visits Baghdad to pressure the Iraqi government to set aside factional squabbling and move ahead on resolving issues that sharply divide the country and fuel the ongoing sectarian conflict.

On Federal Reserve Chairman Bernanke's latest trip to Capitol Hill, he is quizzed about the latest inflation numbers -- and about what the Fed plans to do with interest rates.

The director of the wildly acclaimed Slumdog Millionaire says the Mumbai he discovered during his movie shoot is a city on the move. And in India, he found, life is a study in contradiction and connection.

Listeners responded to Monday's interview with author Toni Morrison about her new novel, A Mercy. Morrison talked about her realization while writing the book that many white Americans have ancestors who were slaves. Not all listeners were surprised by that revelation.

Colombian emigre Edmar Castaneda came to the U.S. as a teenager and fell in love with the music of Charlie Parker and Chick Corea. So he decided to use a traditional instrument of Colombia's cowboys to play his own form of pan-Latin jazz.