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A new exhibit in the National Gallery of Art explores painter Henri de Toulouse-Lautrec's relationship to Montmartre, the Paris district that drew artists and bohemians in the late 19th century.

Wagner hangs out with the rich and famous, and then writes satirical novels based on Los Angeles life. His new book is The Chrysanthemum Palace. The three main characters are actors who are the children of wealthy, successful parents. Wagner is known for his dark wit and nasty portrayals of show business elite.

Bill Clark is a consultant to the show NYPD Blue. Clark is a former New York City homicide detective. Clark and producer David Milch discuss how many of the story lines for the show come from cases Clark worked on. This interview was originally broadcast on Nov. 1, 1995.

Critic Edelstein looks at The Best of Youth, a six-hour drama first shown on Italian television.

There's a new incentive for Cleveland residents to patron the city's art scene during the work week: more sleep. To help reinvigorate local arts, Cleveland tourism officials are touting a program called "Late Out, Late In." Employees can arrive at work two hours late if they attend an arts event the night before.

Rapper and actor Will Smith talks about his new film Hitch. Also, the first season of his fish-out-of-the-projects TV sitcom The Fresh Prince of Bel-Air is now out on DVD.

Rock critic Ed Ward finds a forgotten chapter of American pop history: the 1940s sound of East Los Angeles. Hear original recordings of vintage Latin music collected on the new CD Pachuco Boogie, from Arhoolie Records.

Los Angeles Times film critic Kenneth Turan reviews the German film Downfall, a retelling of Hitler's final hours with an emphasis on the human being at the center of an unspeakable wave of evil. It was a controversial hit in Germany, and has been nominated for a best foreign film Oscar.

Few people today remember E.T.A. Hoffmann, but most everyone is familiar with his most famous creation: The Nutcracker. NPR's Robert Siegel traces the history of everyone's favorite Christmas ballet all the way back to its much darker original version.

Julie Klausner talks about what makes the comedy podcast such an appealing form for comedians. Is it the connection with the audience? The creative freedom? The loose conversations? (Spoiler alert: Yes.)