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Public Radio For Eastern North Carolina 89.3 WTEB New Bern 88.5 WZNB New Bern 91.5 WBJD Atlantic Beach 90.3 WKNS Kinston 89.9 W210CF Greenville
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  • Richie Havens is the man who opened Woodstock, and he hasn't stopped performing or inspiring ever since. Here, the legendary folk singer and guitarist discusses his new album, Nobody Left to Crown.
  • Conductor Marin Alsop examines the rarely heard music from early in Aaron Copland's career. With an ear toward Copland's bold and sometimes jazzy rhythms, Alsop says that listeners can hear hints of the wide expanses that would later open up in music such as Appalachian Spring.
  • With so many classic Christmas carols to choose from, creating brand new ones can be daunting, but English conductor-composer John Rutter has been at it for nearly 50 years. He shares his tips on what makes a good carol.
  • Alto saxophonist Rudresh Mahanthappa, son of Indian immigrants, says he didn't think about his ethnic identity growing up. But on his new album Kinsmen, he and other like-minded South Asian American jazz musicians, fuse American jazz with a global sound that embraces the music of India.
  • He still isn't very well-known in the U.S., but Solal is considered one of the greatest living European jazz musicians. And at 81, the pianist still keeps a schedule of concerts and club gigs that would wear out someone half his age.
  • This year's oldest Grammy nominee is Delta blues pianist Pinetop Perkins. He's played with the likes of Sonny Boy Williamson and Muddy Waters. He says he even performed for a U.S. president at the White House — though at 95, he can't remember which one.
  • With her wispy, delicate voice, Dearie was a darling of the jazz world for decades. Her biggest hit was "I'm Hip," and she even recorded with Schoolhouse Rock. The cabaret singer and pianist died Saturday of natural causes in her New York City home. She was 82.
  • The American composer, who died Feb. 1, embraced many compositional styles, from the neo-classical to the avant-garde. He refused to identify his music with any particular school, declaring that he wanted to have "one foot in the past and one in the future."
  • For her new recording of Mendelssohn's Violin Concerto, Mutter traveled to the composer's old stomping ground in Leipzig, Germany, to the site where the concerto had its premiere in 1845.
  • In the early 1960s, an argumentative duo of outsider musicians developed a psychedelic breed of folk music and found a small but dedicated following. The Holy Modal Rounders' members are now inspiring a new generation of innovative folkies, as well as a new documentary.
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