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The Latin percussionist's classic 1972 album captures one of the greatest musicians of the 20th century at his peak. Bobby Sanabria, himself an award-winning bandleader, discusses the music and career of "El Rey del Timbal," Tito Puente.

The rock icon's early work was liberally infused with humor, but his new album is perhaps his darkest yet. He explains how he writes lyrics off the top of his head — and what that has to do with his jive-talking grandfather.

A 25-year-old singer-songwriter, Flynn makes music that seems to draw equally from William Shakespeare and Bob Dylan: He has the ear of a poet and the mind of a storyteller. Flynn has just made his American debut with A Larum.

William Berger, author of Puccini Without Excuses, sizes up two new and very different recordings of the composer's best-known opera. Berger says the beauty of Bohème lies in the little details of the characters' lives.

This past summer, you might have found it impossible to avoid the string-saturated "Viva La Vida" by Coldplay. Guitarist Joe Satriani thinks it sounds remarkably similar to his 2004 song "If I Could Fly" and has sued for copyright infringement.

On the 400th anniversary of the birth of John Milton, fans around the world are celebrating with literary events, exhibits and readings of Milton's famous epic poem, Paradise Lost.

Music critic Ken Tucker reviews Fearless the second studio album by country-music singer/songwriter Taylor Swift. It debuted as number one on Billbaord's Top Country Music Albums.

Though the Congolese music known as soukous was Africa's biggest pop-music style in the '70s and '80s, it only reached the U.S. in bits and pieces. But a new anthology by the musician known as Franco goes a long way toward completing the puzzle.

Last spring on its MySpace page, the Brooklyn experimental rock band Parts & Labor asked fans to send sound samples to put on the group's new album. Parts & Labor used every single one, often blurring the line between instruments and samples.

On their first recording together in more than 50 years, saxophonist James Moody and pianist Hank Jones show that the elder statesmen of jazz can still play beautifully. Our Delight displays the golden virtues of jazz with warmth and grace.