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You may not recognize the name James Hand, but that's just because you've never heard anything like him. The 57-year-old Texan has been in hidden away in country music scene for years, and if his third album Shadow of the Ground shows his age, critic Ken Tucker says it's just that Hand doesn't care what you think.

Music critic Milo Miles reviews two new collections of tunes from the late Latin pioneers Tito Rodriguez and Tito Puente. The two were rivals on the bandstand of the Palladium, the epicenter of the 1950s mambo craze.

The noodle-obsessed chef's Momofuku chain has converted many New Yorkers to his brand of anything-but-instant ramen. Now Chang brings his recipe to the world in a new cookbook, Momofuku.

Victims who testified during the landmark Paris attacks trial — which wrapped up at the end of June — say the case holds lessons for the United States.

Glen Hansard and Marketa Irglova, stars of the hit 2007 movie Once, recently sat down with NPR's Melissa Block. Now performing as The Swell Season, they discuss their new album (Strict Joy), perform two songs and surprise each other with new revelations about a song's meaning.

The news that Bob Dylan was making a Christmas album came as a surprise. Now that Christmas In The Heart has been released, with the announcement that all profits will go to charity, it's caused even more consternation, with commentators divided as to whether it's an earnest effort or one big put-down. Rock critic Ken Tucker offers his opinion.

President Biden started on a series of deals in Israel meant to show the ties between the two countries. The subject of a Palestinian-American journalist killed in the West Bank may be on the agenda.

Nicole Mitchell's Renegades matches exploratory playing with deep grooves and a tight ensemble blend. The new group is Black Earth Strings, consisting of flute, three strings and percussionist Shirazette Tinnin.

A simpler suicide hotline launches July 16. The three digits are meant to be easy for those in a mental health crisis to remember and dial. But most states aren't prepared to meet the volume of calls.

Listening to Davis' propulsive funk, it's apparent that her image was just as important to her albums as a guitar or a keyboard or her voice. In 1975, she seemed to represent her era, but she probably pushed boundaries too far for mainstream music. Here, Meredith Ochs reviews a recent reissue of Davis' groundbreaking album Nasty Gal.