Linda Holmes
Linda Holmes is a pop culture correspondent for NPR and the host of Pop Culture Happy Hour. She began her professional life as an attorney. In time, however, her affection for writing, popular culture, and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living room space to DVD sets of The Wire, and never looked back.
Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Her first novel, Evvie Drake Starts Over, was published in the summer of 2019.
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Comedian and filmmaker Bo Burnham used his time alone during the pandemic to create a one-man show. His new Netflix special Inside was directed, written and performed all inside one room.
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Burnham has been away from stand-up for a long time, and this is not a stand-up special. It's theater, filmed at home, touching on some of the harshest realities of the isolated mind.
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The mystery was finally solved on Sunday night's seventh and final episode of HBO's Mare of Easttown. It got complicated, so we've got answers.
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During the pandemic, you may feel like you've seen every show worth watching. With a lot of new shows debuting, we have some suggestions for what to watch in the coming weeks.
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A bungled ending, some charming winners, and making the best of a bad situation — the 2021 Oscars left an impression in a few ways.
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We asked PCHH listeners to vote for the best Muppet. Nearly 20,000 votes later, here's your top 25, with accompanying commentary by Linda, Stephen, Aisha and Glen.
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The Oscar nominations embraced David Fincher's Mank, a movie about movies, which is no surprise. But if you want to pick your own favorites, this is the year to do it.
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Meghan, Duchess of Sussex, and Prince Harry talked to Oprah Winfrey about darkest moments, family conflicts, the persistence of racism and the symbiosis between the royal family and the tabloid press.
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The finale of WandaVision wrapped up a moving story of loss and grief. And, less importantly, there was a bunch of action.
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Directed by Amy Poehler, the new Netflix film longs to stretch beyond its limits to be an inclusive look at feminism in teenagers, but its story works best when it keeps its ambitions modest.