Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

Before I bring an artist to the Tiny Desk, I try to see them perform live. It helps me get a handle on what they'll be capable of doing at my desk, minus all the artful tinkering of a studio. But I never saw Tomberlin before she came to my desk.

Jessi Whitten of Colorado Public Radio's Open Air co-hosts this week's All Songs Considered and turns me on to the Psychedelic Porn Crumpets, the funnest band name of the year, with music all the way from Perth, Australia to match. All of Jessi's picks are laced with fun, including French Vanilla's new-wave, early-'80s sound, reminiscent of the British punk band X-Ray Spex. She also brings us music from Colorado by Kiltro, a band with one foot in Colorado and another in Chile.

Rhye has built its reputation on crooning, soft-focus love ballads. But on the band's latest release, Spirit, singer Mike Milosh offers something unexpected: a set of downcast, solo piano instrumentals. On this week's All Songs Considered we hear the stark and beautifully gloomy cut "Malibu Nights."

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Legendary guitarist Richard Thompson has composed a stunning score for a film honoring World War II fighter pilots and, to my surprise, there's not a lot of guita

Jeremy Dutcher came to the Tiny Desk with sparkling, purple streams of glitter draped around his shoulders. Then he set his iPad on our Yamaha upright piano, not to read his score as pianists do these days, but to play a centuries-old wax cylinder recording of a song sung in the incredibly rare language of Wolastoq. Jeremy Dutcher, along with cellist Blanche Israel and percussionist and electronics wizard Greg Harrison, wove that old recording into a remarkably passionate performance that was very 21st-century, with a deep nod to a century past.

On this edition of All Songs Considered, Radiohead guitarist Jonny Greenwood joins us to talk about two of his classical compositions we've just premiered on our Tiny Desk series.

This year, I was blown away by the Tiny Desk Contest entries I saw. We received over 6,000 entries from all across the country. We saw tiny desks up on rooftops and down on a subway platform; tucked into treetops, pickup trucks and laundromats. We heard songs about the situations that make life difficult and the people that make life worth living.

On this Guest DJ edition of All Songs Considered Joe Talbot, frontman for the British punk group IDLES, talks about the band's latest album, Joy as an Act of Resistance, how Van Morrison's Astral Weeks changed his life and his tips for how to make the long drive across Kansas while on tour.

IDLES is a band that's both fierce and compassionate. It's also one of the best live rock groups I've ever seen — the kind that creates mosh pits and community with noise and humanity.

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Songwriter Bernie Dalton, who, with his musical partners, created one of our most powerful and memorable Tiny Desk concerts, has died at 49 from complications of bulbar-onset ALS, an a

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple playlists at the bottom of the page.

Maybe it's been a few months and you've wondered: "Where's that dude who played the heavy and weird stuff?" First of all, thank you. It's nice to be missed. The answer: I've been at home, watching lots of movies, changing lots of diapers and taking care of my firstborn daughter. Did this stop me from listening to said "heavy and weird stuff?" Well, yes and no.

On this edition of All Songs Considered you'll hear new music from Chastity Belt singer and guitarist Julia Shapiro. You'll also hear a song based on an old field recording by the singer Jake Xerxes Fussell. Both of these songs were picked by our awesome intern, Adelaide Sandstrom as she enters her final days at All Songs Considered.

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I didn't know what it was about this song that enthralled me.

Joining me on this edition of All Songs Considered is NPR Music's Lyndsey McKenna, Marissa Lorusso and Joshua Bote for some sips of Rosé, bites of cupcakes and sweet music. Today's sounds include the legendary dub master and reggae king Lee "Scratch" Perry. At 83-years of age, he's just made a brilliant new record with another legendary producer, Adrian Sherwood.

We've returned from our weeklong grind through the South by Southwest music festival happy, though a little dazed, with ringing ears, and a whole bunch of incredible discoveries. On this All Songs Considered we run through some of the most memorable music and performances, from the shredded noise rock of Rev Rev Rev and thundering soul of Yola Carter to the Afro-Cuban grooves of Cimafunk and the remarkable voice of Tamino. Bob Boilen, Stephen Thompson and I each saw around 100 different shows in just a few short days, way more than we could ever share in a single episode.

Each year, the buzz in Austin, Texas, at the South By Southwest music festival can reach a deafening pitch. Our NPR Music team is here to help you cut through the noise. Every evening, we'll gather to roundup and recap the best discoveries of the day.

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In 2014, we started the Tiny Desk Contest with the humble goal of discovering new music. Since then, your entries have blown us away.

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In 1942, people were forced from their homes and sent to prison camps without trial, only because of their ethnicity and heritage.

The annual South by Southwest music festival is our personal endurance challenge to discover as many great unknown and often unsigned bands as possible in just one week. To train for the event, Bob Boilen, Stephen Thompson and I listen to more than a thousand songs by bands playing the festival, from all over the world, and try to map out a calendar to see our favorites.

Here's some of the most uplifting music I've heard in a long while. Ahmed Gallab, best known as Sinkane, has new music we're proud to premiere. The song is called "Everybody" which will be the lead-off track to his next record, Dépaysé.

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There's new music from Big Thief: a song, released today, called "UFOF," and the band's third album, coming May 3, titled

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We have a new song and video from Aldous Harding and a conversation with her about this video for "The Barrel." I wanted to dig into some of the origins of

On this week's All Songs Considered we premiere new music from Aldous Harding. The artist from New Zealand made my number two album from 2017 (Party) and her latest song, "The Barrel," indicates that she'll be another year-end favorite of mine in 2019.

Scott Mulvahill has been trying to win the Tiny Desk Contest for each of its four years. He's always been one of our favorites, though he's never been our winner. The double bassist entered his song, "Begin Againers" in 2016 and though it wasn't the winning entry, we all loved it so much, I invited him to my desk to perform his extraordinary song. He opened the Tiny Desk with it, only this time he was joined by bandmates Jesse Isley and Josh Shilling who shared vocal harmonies.

While accepting the Best Contemporary Blues Album Grammy for Please Don't Be Dead, Fantastic Negrito gave a shout-out to the Tiny Desk concerts series, which he said changed the course of his life and offered hope when he'd almost given up.

Kurt Vile exudes a casualness at the Tiny Desk in his style and body language that is so unlike most anxious artists who come to play behind my desk. Sure, he's done this Tiny Desk thing before, with Courtney Barnett.

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Today, the great young, American singer Lucy Dacus

Fifty years ago today, on Jan. 30, 1969, The Beatles gave what would be their final concert. And on this special episode of All Songs Considered, we talk with someone who was there: Ken Mansfield wrote and just released a new book on this life-changing event called The Roof: The Beatles' Final Concert. Mansfield was the U.S.

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